I watched this video today, and I think there’s something important to learn from it.
LOOOOOOOL HE JUMPED OUT OF HIS SUPREMACIST UNIFORM TO AVOID A WHOPPING LIKE THIS WAS SCOOBY DOO pic.twitter.com/qd5XHrS4GC
— Plantainbae™ (@justcallmeBABA) August 16, 2017
The poor idiot claims he’s doing it for fun. I’m inclined to believe him—which is not a justification; I’m not asking anyone to feel sorry for him but trying to understand the reason behind his behavior. Later he says that he’s been in jail and that he enjoys offending people. I’m speculating here, but if he told the truth and he was once in jail at such young age, probably he’s poor and uneducated. In other words: powerless. And if he gets his kicks from being offensive it is because that may be the only way he feels in control. He finds meaning on causing a reaction, even a negative reaction.
Where did he learn to behave like that? There’s a part of violence that is innate, of course, but we live in a society where violence has become increasingly costly. Violent individuals risk punishment, condemnation, and ostracism—not to mention the wrath from Twitter. This guy barely escaped a beating. Why then does he behave like a jackass? My guess is, as he swiftly confesses, because he’s bored. Yes, he may be an idiot too, but being an idiot doesn’t make him engage in reckless behavior, being an idiot simply prevents him from foreseeing the consequences of engaging in reckless behavior. Boredom is what forces him to find his kicks in violence. Boredom signals the brain to look for a different goal because the current one is not rewarding enough or even toxic. Any goal! Even destructive behavior like consuming drugs, skipping school or attending a Neo-Nazi rally.
Combine boredom with the way we acquire most of our knowledge: by consuming mass media. Is media doing a good job educating us? The problem will only get worse with automation when millions find themselves with nothing to do but consume more media.
When I was eight years old, I was called to see the school psychologist. He asked me to make a drawing. Guessing I shouldn’t draw a My Little Pony and expose myself as a sissy I draw the manliest thing I could think of: the General Lee from The Dukes of Hazzard. I put particular attention on the Confederate Flag on the roof. I didn’t mention that I found the Duke Boys sexy, I just let the man wearing glasses think I was as manly as any other boy my age, and fascinated by cars and adventure. That’s what the General Lee meant to me: manliness. I rated manliness positively, so you could say I had a positive attitude toward the Confederate Flag too. It didn’t mean oppression and slavery to me — I was eight, I had no idea!
My attitude had a function: liking the General Lee made me appear manly in front of others, which was necessary for my survival. Back then, I would have rejected anyone’s arguments trying to convince me that the General Lee was a bad influence, but maybe I would have been opened to hear that liking My Little Pony was okay for a boy.
We should ask ourselves: What function does a Neo-Nazi attitude serve? Telling them they’re dead wrong isn’t enough. They probably know they’re wrong, but they stick to their wrong ideas for a reason. Why?
And then, where are they getting those ideas from? Could it be from media that tends to underrepresented minorities and glorify aggression? I’m not talking only about Fox News. Take this year’s Atomic Blonde, a beautifully shot, superbly directed all praise for violence. The film has a twist at the end trying to convince us that Charlize Theron’s character is not only incredibly beautiful and resilient but incredibly smart and cunning too. Well, if she were that smart she wouldn’t have risked her own life just to kill all those people. Yet we are too engrossed in the narrative to question her motives. Narratives reduce counter-arguing, that’s why they’re so persuasive. We get too busy interpreting the events in a narrative that there’s little cognitive power left behind to judge its meaning.
Take “irresponsible” Prissy, from Gone With the Wind, to go back to a classic example. In one scene, Prissy gets slapped for lying to Scarlett O’Hara about knowing how to deliver babies. Because we are transported by the story and are seeing it through the eyes of Scarlett, who’s alone and dead worried about Melanie, we agree with the slapping. However, as a commenter says on YouTube, Prissy has no reason to “give a damn about either of those two white bitches.” Why should she? Prissy is only a teenager and a domestic slave. She’s a fictional character of course, but slaves like her were probably beaten often, starved, separated from their family, and received no compensation for their work. Why should she feel sympathy for her oppressors? Nevertheless, because it is Scarlett’s and not Prissy’s story the one we follow, and because we’re too busy worrying what will happen next—will Melanie survive?—we don’t stop to ponder over Prissy’s motives.
The point is, we are bored, we are powerless, and we acquire most of our knowledge from narratives that may be distorting reality but at the same time are so engaging that they limit our capability for critical thinking. Punching nazis may temporarily improve our mood but won’t solve the problem. The obvious answer is education, but education tends to be incredibly boring too. What we need is our education system to learn from the entertainment industry on how to become more engaging so that destructive behavior doesn’t become a way to escape boredom. And we need entertainers to become more educated too, so they can create better content.